#Mark ronson amy winehouse how to

It's kind of obvious - whether you think my version is shit or not - that I love the song. 'It took the most time because there's so many things you have to get right. Lily Allen's 'Alright, Still' is one of the production jobs that really put Mark Ronson on the map in 2006.ДЄsk him his favourite song on Version and he chooses his Smiths cover, with its soulful vocal provided by Australian R&B singer Daniel Merriweather. So I ended up signing with Columbia to finish the record.' 'Just' came out and did well in the UK and I was in the unique position of sitting on, like, eight of these covers. After a while, I had a bunch of them done. I had a lot of fun doing that and I started to fuck around with other songs in my spare time, learning their progressions and melodies and bending them to fit a more groove-heavy version. Then I thought, well maybe I should try to just do the whole song. 'I was thinking maybe I'd take a part of it that I loved, like the guitar part, and sample it or have a rap over it.

#Mark ronson amy winehouse how to

'I didn't have any idea in my head how to cover a song like that,' he explains. The starting point for Version was Ronson's cover of Radiohead's 'Just', reimagined as a '70s rare groove track and originally commissioned for band tribute album Exit Music: Songs For Radio Heads. With 'Toxic', the idea is to do it in a very different arrangement to show that the song can exist in so many forms.' Justice Is Done Some people don't even get that it's a cover until it gets to the chorus.

'I'm just trying to do something different with the song. So even when he covers such mainstream pop hits as 'Toxic', there isn't any tongue-in-cheek intent? 'Not at all,' he insists. There wasn't any contrived scheme behind it, to make some coffee-table collection.'

All I was doing was taking songs I really loved and recording them again. 'They would take the hits of the day and do them in their own unique version. 'I love records from that time by people like Henry Mancini and Quincy Jones and Nelson Riddle,' he says. Keen for the record not to be lumped in with kitsch cover acts such as Nouvelle Vague, Ronson cites the arranger-producers of the '60s as the key influences on Version.

A 14-track trip through his favourite songs, past and present, it finds the UK-born, New York-raised musician retooling everything from the Smiths' 'Stop Me If You Think You've Heard This One Before' to Britney Spears' 'Toxic' to the Zutons' 'Valerie' to the Jam's 'Pretty Green', with a cast of different vocalists and an emphasis on beats-heavy, horn-peppered grooves. His work has paid off thanks to huge hits with Amy Winehouse and Lily Allen, and he's about to unleash one of the most surprising covers albums ever made.ДЄpparently not content with being one of the name producers of 2007 - with credits including Amy Winehouse's Back To Black, Robbie Williams' Rudebox and Lily Allen's Alright, Still - DJ-turned-studio-man Mark Ronson has come up with his own era-defining album in the shape of Version. His family might be rock royalty, but Mark Ronson has had to carve out his own path in the music business.